On stage, four harps and their digital double projected onto a screen provide the setting for the action, guided by a voice-over.

Moving from one instrument to another, the musician engages in a dialogue with her algorithmic avatar, which gradually desynchronizes in a game of shattered mirrors.

Rock timbres, polyrhythms, contemporary minimalism, projected images, and narration merge into a poetic and rebellious cantata. Featuring: Aurélie Saraf, harp and performance.